The story of Orlando Rafael Quevedo begins in Cuba, where his artistic talent was recognized from childhood. In an educational system characterized by rigorous state selection, Orlando was one of the few young students capable of passing the demanding entrance exams for the formal visual arts program. Of the roughly 300 children who began the process, only six completed it. That first round of filtering not only identified exceptional technical ability, it also revealed the discipline, sensitivity, and observational skill required to develop within a highly competitive artistic environment.

His educational path continued for twelve years at the prestigious Instituto Superior de Arte (ISA), Cuba’s most important institution for the training of professional artists. There, he received comprehensive instruction grounded in the classical foundations of drawing, painting, composition, and art theory. The strict, intensive, and deeply structured academic model was designed to produce creators with strong technical command, a critical vision, and deep knowledge of both Western and Latin American visual traditions.

During this formative period, Orlando studied under instructors who emphasized both formal precision and the historical context of art. The curriculum included anatomy, perspective, color, aesthetics, global art history, and Cuban art history providing him with a conceptual framework that would later become essential to his pictorial language. This training, centered on attentive observation and the systematic study of masterworks, shaped his discipline and creative vision.

When he emigrated to the United States in 1993, Orlando brought that academic foundation into a new cultural context. His professional life unfolded between Philadelphia and New York, but Philadelphia became a decisive space where he could share his knowledge. During his time in the city, Quevedo not only flourished as a painter, but also shared his vision as a Professor of Art Appreciation at La Salle University and at Esperanza College of Eastern University.

Twenty-five years ago, he became the college’s first art instructor, planting the seeds of creativity that continue to flourish today. This exhibition stands as a tribute to its vibrant legacy at a fitting moment: Esperanza College celebrates its 25th anniversary this year, with lives touched and transformed by Orlando’s mentorship.

During his time in Philadelphia, he taught courses remembered not only for their rigor but for his ability to connect artistic tradition with contemporary experience. For him, art history is not merely an academic reference it is a fundamental resource for understanding his own visual language. His work incorporates iconographic references, compositional structures, and aesthetic traditions developed over centuries, recontextualized through his personal perspective—so much so that he was selected as the official artist of the 2023 National Cherry Blossom Festival.

His academic training is essential to his creative process: each work is born from reflection, study, and a respectful relationship with the visual history that precedes him. “I conceive painting as a dialogue between past and present, between discipline and emotion, between what is learned and what is discovered,” the artist states. Thus, his education not only prepared him to be a competent artist, but it also became the foundation supporting his entire aesthetic philosophy.

For Orlando, presenting his work as part of Esperanza’s 25th anniversary holds deep personal and symbolic meaning. He describes the experience as an unexpected honor and a gesture of recognition that goes beyond the professional sphere. “Celebrating 25 years of Esperanza College and being part of this commemoration fills me with gratitude,” he shared. To him, Esperanza is not just a cultural institution, but a bridge between communities, generations, and journeys like his own. The artist recognizes that this anniversary celebrates not only the organization’s history, but also resilience, creativity, and the power to transform lives. He sees his participation in this milestone as an opportunity to give back to the community that has offered him support, growth, and a sense of belonging throughout his career in Philadelphia.

Reaffirming his own words: “In my magical realism, reality disguises itself as a dream: so possible it seems like magic, so magical it becomes impossible.” — Orlando.